Graham Pullin on disability and imagination

Graham Pullin on disability and imagination

From an interview in Dwell magazine: Why do you think so few designers take up issues of universal design, or designing for disability? Is it a question of money, knowledge, a failure of the imagination? As we’re coming to money later, let’s talk about knowledge and imagination. Many of the designers I spoke with did [...]

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speculative machinery (ongoing series)

speculative machinery (ongoing series)

I’m looking for collaborators to propose new tools—speculative machines—that invert or transform or exaggerate an adaptive aid that already exists. Here’s a first design:…

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Can prosthetics be an unfair advantage?

Can prosthetics be an unfair advantage?

Here’s Part I of a great discussion of the ways prosthetics—in their ever more sophisticated forms—are raising ethical questions about bodily augmentation and mechanical advantage. The image is of Oscar Pistorius, an athlete and bilateral amputee who’s been able to seriously compete against both able-legged runners and at the Paralympics.

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international lab coat symbol (ongoing series)

international lab coat symbol (ongoing series)

I’ve started a collaborative, public project designed as interventions in medical office waiting rooms, and I’m looking for partners. I’ve made these postcard drawings of lab coats, and I’d like collaborators to place a card in one of the magazines that sit in waiting rooms, leaving them for the next prospective patient. The dynamics of [...]

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happy accidents

happy accidents

From Mitchell Whitelaw’s Metacreation: Art and Artificial Life: “New media art self-consciously reworks technology into culture, and rereads technology as culture. What’s more, it does so in a concrete, applied way; it manipulates the technology itself, with a nonindustrial latitude that admits misapplication and adaptation, rewiring and hacking, pseudofunctionality and accident. New media art also [...]

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tools for historical imagination: jury duty

tools for historical imagination: jury duty

Tools for Historical Imagination: Jury Duty Running Time: 7 min 35 sec I’ve been interested in judicial service for a long time—the daunting responsibility of it, the chance to look inside the justice system, the human stories at the center of any case. After serving on a case in 2003, I couldn’t shake the feeling [...]

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sensory substitution

sensory substitution

I’m collaborating with the Philosophical Psychology Lab at Gordon College, working with philosopher Brian Glenney on experiments with the vOICe, also known as the Seeing With Sound device. The tool utilizes a camera, embedded in a pair of glasses or goggles, and translates its intake into “readable” soundwaves through earphones—either assigning sounds to light and [...]

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Lynn Bennett Carpenter’s haptic sensations

Lynn Bennett Carpenter’s haptic sensations

Lynn Bennett-Carpenter is a fiber artist based in Detroit. Her work is often interactive, often site-specific, and a number of pieces are wearable, neither proper clothing nor purely functional tools. I asked her specifically about pieces from her “Fittings” series, and from her “Elastic Experiment” works. image description: two women in active poses, one appearing [...]

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useless/useful

useless/useful

From Flong Blog, Golan Levin on how new media artists, working outside the mandates of utility and traditional research, are often uncredited sources for novel, sophisticated technologies. Issues of copyright aside, it shouldn’t be news that artists work in ways that circumvent linear problem-solving, and may, in the process, create technologies that are very useful [...]

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Wendy Jacob lectures on MIT’s TechTV

Wendy Jacob lectures on MIT’s TechTV

Artist and MIT professor Wendy Jacob talks about her recent work within her newly-established Autism Studio in the visual arts program there. Worth watching—she shows some recent work of her own, some of her students’ projects, and then a new collaboration with a young boy diagnosed with autism, working to create a novel way to [...]

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